Running
Running
Feet go thumping
To the heart’s strong drumming.
I make my own beat when I go
Running.

 

Growing

I
am
bigger
all the time.
I am growing like
a vine. I am climbing to the
space above the house, the ground, the clouds, and even you.

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

Today I have two additional forms that follow specific syllable patterns. Both were invented in the US. I wonder if that makes them more suitable to English somehow. The first is a cinquain which was invented by Adelaide Crapsey in the early 20th century. The syllable pattern is two, four, six, eight, two. Sometimes the first and last lines are the same; sometimes they are not. The second is a Fibonnaci poem which means that the number of syllables in the lines of the poem follow the sequence of Fibonnaci numbers: 1, 1, 2, 3, 5, 8, 13, etc. Do you see the pattern? You add two numbers in sequence to get the next one. Fibonnaci numbers describe the spirals in many things from the natural world, like pine cones, flowers, and nautilus shells. I wrote this in response to the Tuesday Poetry Stretch at the blog The Miss Rumphius Effect. There’s also a great video about the Fibonnaci sequence on the blog.

 

she says to copy

the night’s assignment

in my diary

a girl flies off

the point of my pencil

she says to read

the next twenty-eight pages

in the book

he tips on the edge between

tables in the lunchroom

leaving the orbit

of desks, white boards, and coat hooks,

he waves, explaining

black holes are extremely dark

but you can still survive them

raindrops spot the glass
with tiny gray-skied planets
one by one they fall
my outdoor voice is too big
for recess in the lunchroom
© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved
I’ve spent the week exploring tanka. I’m drawn to the idea of two resonating images. I think perhaps tanka lend themselves to expressing some of the dilemmas of being a kid in a grown-up world.

I think it might be fun to do a tanka activity in a class of older elementary or middle school students. I can imagine giving everyone the same first three lines (maybe the first three of the last tanka above) and asking the kids to write the last two. It would be so interesting to see what everyone came up with.

reaching for more
I topple the glass
spilling tears
not for the milk
for the sighs
in the hall
we all laugh
not seeing the boy
stuffing himself

in his backpack

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

I’ve decided to dedicate the week to tanka. Tanka is an ancient Japanese form, even more ancient than haiku. Tanka consist of five lines. The first three lines offer an image. The last two lines offer a commentary on the first image, sometimes through an additional resonating image. In Japanese tanka use 5-7-5-7-7 “sounds.” In English one might use 5-7-5-7-7 syllables or fewer.

I’m personally drawn to tanka for the double, resonating images. I think the form might be particularly suited to middle school students who often seem to be thinking about what’s happening and what they think about what’s happening.

Here’s a link to my current favorite tanka: http://www.poets.org/viewmedia.php/prmMID/22339

More later.

Liz

In the dark they sing
For the folded crocus
In the dark they sing
For the dim daffodil
In the dark they sing
For the somnolent tulip
In the dark they sing
For the imminent crowd
In the dark they sing
For they cannot wait
In the dark they sing

For the lingering sun

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved


Dear Scout,
begs to go out,
not so she can hunt.

She doesn’t go
to fight a foe
or meet up with a friend.

She doesn’t run,
or stretch in the sun,
or nibble a blade of grass.

Dear Scout,
begs to go out
so she can sniff the wind.

© 2012 Elizabeth Ehrenfest Steinglass, 
all rights reserved

photo by Amos
photo by Naomi
Snow Cat


From the window she hunts

Snowflakes riding winter winds.

She leaps!

Pinning herself to the screen

Like a snow glob stuck to the glass

Before it seeps to the floor.


Snow Boy


From the window he hunts
Snowstorms riding distant winds.

He wishes!

Pressing himself to the cold

Like a breath that fogs the glass

Before it disappears.



Snow Girl


From the window she hunts

Snow angels riding glistening winds.

She peers.

Angling herself to the glass

Like a ray of sunlight that shines bright

Before breaking into color.



Snow Dog

From the window he hunts
Snow boots trudging through frigid winds.
He dreams!
Turning away from the cold
Like a door that shuts
Before the intruder arrives.





© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

CUTIE PIE
I HOPE
MY WAY
SWEET TALK
BE GOOD
BE MINE
ALL MINE
I DO
BE KIND
I DO
LOVE YOU
TRUE LOVE
HUG ME
MY BABY
YOU RULE

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

I am all cold hands piling, rolling, rounding happiness eventually accumulated.

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

I’m climbing up the stair.
It’s dark up there. It’s dark up there.
The light switch isn’t down the stair.
It’s way up there. It’s way up there.
I’m climbing up the stair.
Do I dare ask who’s waiting there?
I know that ghosts are very rare,
But still one might be hiding there.
I’m climbing up the stair.
I feel a tingle in my hair.
I think perhaps I feel a stare.
I think perhaps I feel a glare.
I’m climbing up the stair.
It isn’t fair. It isn’t fair.
To send me to the ghosts’ dark lair.
Don’t they care? Don’t they care?
I tiptoe, tiptoe up the stair.
I flip the switch. I’ve made it there.
The light shines here. The light shines there.
I gave that ghost a great big scare!

© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved

When learning to tie,
You should give it a try
On a carefully chosen shoe.
The shoe should be new,
Preferably blue,
Extra large too,
Not belonging to you.
The shoe should have laces,
And never make faces
When fingers go places
There shouldn’t be spaces.
Its tongue must not fight
Even if you should bite
While pulling it tight
With all of your might.
Its toe must not tap
To your shoe-tying rap.
It should sit in your lap
And take a nice nap,
Though it might feel a whap
As its strings flip and flap.
The shoe must sit still
No matter how shrill
You scream with the thrill
Of tying it.


© 2012 Elizabeth Ehrenfest Steinglass, all rights reserved